Seeking to portray a moment in the history of Chile that was lost, a moment of revolt and revolution, where change could be felt in the air but was lost in the clouds of tear gas, like so many other moments in the Chilean history, where an iota of hope arises from moments of violence in which people turn to the streets temporarily, only to shortly later recover the status quo to which they were accustomed. Fast forward to 2023, after a new constitution and an unprecedented democratic process for writing it failed to be voted into existence, some of the same Chileans demanding change accused the left of taking its position to extremes in the constitutional convention, and the far right now dominates the discussion, once again, shows how the pendulum goes from one side to the other, forgetting the true intentions of the people and leaving those moments of total lucidity in the past, as has happened so many times in the history of Chile.

Through the use of the cinematic language of a documentary, hand-held cameras and poetic portraits, the director winks at the work of Patricio Guzman and Raul Ruiz with the idea of ​​going out in moments of polarization but also in moments when through polarization certain beauties emerge, to portray this little short of 1:45 minutes.